eHow to avoid falling victim to ethic jokes.

•December 29, 2009 • Leave a Comment

Das Bierhaus vs Vietnam Restaurant 2

When we pulled up to this parking spot in Burlington, VT, I immediately noticed the pub/restaurant right beside us called Das Bierhaus.

After about 20 seconds of contemplating whether or not I should make a joke (my friend Nathan is a German citizen), I did.

“Hey, Nathan… so uh, any particular reason why you picked this spot? Did you feel most comfortable parking here next to Das BIERHAUS?  Or is there something you’re trying to tell me?”

It was a lame attempt at poking fun of his cultural heritage.

————————————————————————————–

A few seconds later, we turn around and head up the hill.

I look to my left.

:::SLAP!:::

Vietnam 2 Restaurant. Right next door to Das Bierhaus.

It felt like I had been struck with God’s mighty hand of spite, as if He threw down a Vietnamese restaurant building when I was looking in the opposite direction, just so I could feel dumb about my lame ethnic joke.  It was very funny.

Moral of the story?  Wear a fashionable ski-mask at all times to soften the blow of God’s mighty slap.  Or just never make jokes. ever again.

Vietnamese dishes for the holidays.

•December 28, 2009 • 1 Comment

fried rice cake with egg & scallions / banh bot chien

tomato & tamarind-based crab vermicelli noodle soup / bun rieu cua

Hue style beef rice vermicelli / bun bo hue

Vietnamese chicken curry / Ca Ri Ga

Di Mai's infamous pho

Plain rice flan with ground pork/wood ear mushroom / bánh Đúc

Vietnamese chicken & cabbage salad / goi ga

sweet glutinous sticky rice / xoi

Vietnamese egg rolls / cha gio

Vietnamese spring roll / goi cuon

Seafood hot pot / lau hai san

The Tale of the Huynh White Rabbit Mystery

•December 9, 2009 • 1 Comment

In the 90’s, my understanding of current trends and pop culture came mostly from my older siblings.  Aerosmith, The Spin Doctors, and The Eagles were constantly on repeat in my room (which I shared with my brothers.)  Across the hall from my sister’s lair, came heavy bass beats from Ace of Base and  Real McCoy… umm, I forgot where I was going with this, but anyway- my brothers used to be really into BB guns.

This was the model we had, a "Daisy BB Gun."

I was reminded of my favorite  story about BB guns when I was down in Maryland for my uncle’s funeral.  I know, I know.  That connection couldn’t have been more clearer…?

On the last night of our family reunion before everyone went on their separate ways, we got to talking & reminiscing about Bac Hung (my uncle) specifically the memories we all had with him.  I was still pretty young when Bac Hung’s family lived in our same town in NY, and to be quite frank- 50% of my childhood associations with Bac Hung’s house had to do with his boys’ (my cousins) obsession with killing small animals, especially birds and squirrels.  Not only were they obsessed with that, they were good at it.  So, hopefully with that preface, you have a better understanding of how the topic of BB guns first came up and soon after its introduction, the topic started thriving, leaving a room full of family members laughing while feeling slightly ashamed.   The amazing part though, is that this conversation topic led to the revealing of one of the deepest, darkest secrets that our family has ever known…

After a few stories about the embellishment of victories and bird sizes (“It was :::spreads arms out as wide as possible::: THIS big and I shot it down in one shot.”), and then that moment of dying-down laughter/recuperating breath that comes after it, none other than my infamous Dad cleared his throat loud enough for the crickets to say “How rude…”

“Bo (Dad) still remember that one time I killed a family of rabbits.”

Huy and I immediately look at each other, then look at all the other cousins, our eyes and mouths extending wider each second.

Finally, Huy exclaims to the sea of family below him (He was sitting on the stairs), “Oh my God.  Is today the day?  Is today the day for my Dad to know the truth?!”

Half of the room pretends to giggle while looking around the room (but you can obviously tell by the overexaggeration of their chest pops that they don’t understand.), the other half nod in agreement while snickering and rocking like hyenas in those video-game chairs.

Huy motions for the crowd to be silent, and says, “Alright, family.  Some of you may know this story already, but I think I have to re-tell it to everyone now.”

My Dad grins uncomfortably…

I think I’ll  continue this story with my own voice now. So, here goes…

————————————————————————————

The summer when I was 11 years old, my brother Huy told me that I could practice shooting with the BB gun out of our room’s window, but ONLY when Mom and Dad weren’t home.    I remember barely being able to reach over the window sill, glasses already so thick that I couldn’t effectively use the scope.  Nonetheless, I was excited about my brother’s approval- it was one of many freedom gates he opened maybe a tad too early during my restrictive childhood period.

I was aiming at an old rusty soccer goal post in our backyard, since I knew the “winning” sound that came with its’ direct hit almost too well, probably because I was never able to experience it on my own.  Oh, I wanted that “DING!” and I wanted it bad.

After 15 minutes, I was finally all done propping up the BB gun and aiming, and just before I was about to shoot, my brother came rushing into the room (yes, I was unsupervised) and said, “Hy!  There’s a rabbit out there.  Do you see it?  Try and shoot it!”

Now, I’d like to think that I wasn’t the only child more concerned with rusty metal posts than with small animals, or maybe my vision was going through a period of rapid decline, and my prescription had jumped -2 points in between eye check-ups- and I just didn’t notice it.  Maybe, I didn’t see it because I had this child condition of only seeing things that are shiny, a fairly normal child condition, I presume.  Whatever it was, I just didn’t notice that white rabbit in the middle of our backyard.

After I yelled at him and said something like, “I almost had the DING! sound! Ugh… not fair. ” I lugged the bee bee gun over to the right (using my whole body to move it a few inches away) and aimed for the rabbit.  I got ready, aimed, and fired.

Missed.

Reloaded.  Aimed.  Second Shot.

Missed.

Reloaded (which usually took about 10 seconds for normal human beings, but took 25 for children who weighed under 10 lbs.)  Aimed.  Fired.

Missed.

Huy’s foot tapping became noticeably louder.  His shoulders were in a permanent phase of “shrug.”  His older brother mindset of being “supportive, uncontrolling, and fair” slowly widdling away…

“Move.  Give me the gun, you keep missing!”

He grabbed the gun from me (which probably gave me immediate relief from my shoulder tension), loaded the gun in .5 milliseconds, aimed, and fired.

“Got it.”

I clapped and cheered in my proud little brother temperament, not knowing that my brother’s level of achievement was any different from winning a Nobel Peace Prize.

“Wait a second… it’s still moving.  It must not be dead yet… here, Hy.  Take the gun, go down there, and shoot it again, or else it’s gonna suffer and die painfully.  You wouldn’t want it to die painfully would you?”

I promptly shook my head to motion my strong, child, PETA opinion.  I would never let an animal suffer.

I took the gun, and slowly headed downstairs out to the backyard.  While I was walking through my house, more specifically, while I got to the shoe rack and was putting on my shoes, I had one of my first ethical conversations inside of my head.

I thought to myself:

I knew I had to “put it out of its own misery,” but how was I going to shoot and actually kill a rabbit?  I’ve never killed an animal before, and here I was- slowly meeting my fate of killing my first animal.  How could I find enough bravery, strength, and virility to actually go through with it?  This is coming from the same kid who is mildly obsessed with shooting rusty metal posts.  Maybe it’ll die before I get there?  Maybe it’ll jump back up on its feet before I get there, and I won’t be able to shoot it!  Yeah, I’m sure that will happen!

So many thoughts were going through my head, and suddenly my inner-dialogue was interrupted by Huy shouting down the stairs, “HY! Hurry up!  It’s moving!  It looks like it’s dragging its hindlegs!  You need to kill it now!”

I took my first step onto my backyard’s grass, the last of several symbolic legs that only came closer to my fate as a “murderer.”  My thoughts were solemn and gray, but my backyard was a lush green and it was full of beautiful dandelion “flowers.” I remember the intensity of each step towards my parent’s small garden next to the shed, but I must have not been very aware of my surroundings: I didn’t realize until I got to the spot (the one I had previously made note of from my bedroom window) that there wasn’t a rabbit there.  I immediately snapped out of my gray-zone that came along with my gloomy, melodramatic procession, and confusingly looked around.  Where did the rabbit go?  Did it disappear?  It was right there, I thought.

After looking in every direction possible, I looked to my far left and saw some grass rustling.  I took a few steps over and saw a white rabbit covered in deep red blood, slowly dragging its limp hindlegs with its front two legs.

I stood there motionless.  I was in a state of shock.  I couldn’t have cried if I wanted to; I didn’t know how.

“HY!  DID YOU SHOOT IT YET?!”  Huy is yelling while running towards me.

The very moment he steps next to me, we simultaneously make incredibly loud gasps as we watch the rabbit slowly crawl into a hole under the shed.

With only it’s dragging hindlegs visible and about five more seconds until it dragged its entire body under the shed (an intense countdown indeed), my brother quickly grabs the gun from me in a hasty shuffle… and click.

It was too late.  By the time he loaded the gun, it had crawled all the way underneath the shed.

“SHIT! DAMNIT, HY!  DAMNIT! Ugh…Well, I guess we can’t do anything now… it’s probably just gonna die underneath the shed now.  Poor guy.”

We both walked back inside the house.  I kept saying to myself, “I hope that wasn’t my fault.”

—————————————————————————————–

Fast forward to a week and a half later:

My mom, brother, and I sitting inside the kitchen on a sunny, summer day.  My dad is outside working on the garden, as my Mom prepares some nuoc Tang, the toxic orange drink our family would come to love forever.

Mom: “Dad is really sad today.”

Huy and I: “Why? What happened?”

Mom: “Well, when we were outside working on the garden a couple week ago, Dad saw a rabbit near the vegetables next to the shed.  He shoo’ed it away and it ran down the hill, far far away.  Then, today your Dad and I went out the vegetable garden and smelled something really terrible… and it was coming from under the shed.  Then, your dad remembered that the rabbit he shoo’ed a couple week ago was a big one- and so it was probably a momma rabbit.  He thinks he shoo’ed away the mom from the baby rabbits, and so the baby rabbits starved to death under the shed.  Isn’t that sad?  He didn’t mean to…”

:::Huy and I look at each other, dumbfounded and speechless.  After three seconds of expression-less stares, we start laughing:::

Huy: “Mom, that’s a really ridiculous thing for Dad to think.  That story makes no sense!  Do you actually think he shoo’ed the momma rabbit away?” :::laughter continues, but my mom looks confused:::

“Ok, okay… to tell you the truth, it was our fault.  I shot the rabbit over a week ago, and it crawled back underneath the shed before we could kill it.  Dad didn’t kill the rabbit, we did.”

At first I was expecting my mom to be mad… like, REALLY mad at us.  Sure, mom knew that we had  a bee bee gun, but she never knew that we killed animals with it.  Again- I say “we” even though I mostly shot lifeless, rusty metals.

Mom: “Oh my Gaw… DON’T tell your Dad.”

Huy and I: “What?”

Mom: “It’s okay… let him think he killed the rabbit.  If he finds out that you did it, he’ll be so angry and blame it on me.”

Me: “Okay… whatever you say, Mom.”

—————————————————————————————

Fast forward 12 years to November 14th, 2009.

Huy: “Dad I have to tell you the truth… The truth is… well.. YOU didn’t kill a family of rabbits… WE did!”

:::every one of my family members bursts out with laughter, 50% of them already knowing and expecting the outcome as the cue for the laugh-track.:::

:::Huy goes on with the story explanation, my Dad nervously chuckling in a mixed state of probably confusion and long-overdue relief:::

I chime in, “OH my god.  I’ve told SO many friends this story.  This is amazing!”

Another cousin screams, “This is epic!  We’re witnessing history!”

Huy motions the room to calm down a little.

Huy: “Wait, wait, everyone… hold on… okay- you know what the best part is? …MOM WAS IN ON IT THE WHOLE TIME!  SHE KNEW!”

:::laughter at the highest decibel level ensues:::

So, that’s my favorite BB gun story.  I hope you understood the moral.  If you didn’t catch it, here it is: If you ever kill a rabbit, lie about it for a decade, and then have an epic story reveal in front of all of your family.  You’ll never forget it, and you definitely won’t regret it.

1, 2, 3, 4. (Gotta gotta get up to get down.)

•December 1, 2009 • 4 Comments

“There is nothing more worthy than the virtue of selflessness.  Selfless unites people. It is a healing herb that unifies strangers and brings families together.  It is the love for others that is higher than self-love; It is our only hope.” -Buddha

“It is one of the most beautiful compensations of life, that no man can sincerely try to help another without helping himself.” -Ralph Waldo Emerson

“Consciously or unconsciously, every one of us does render some service or other. If we cultivate the habit of doing this service deliberately, our desire for service will steadily grow stronger, and will make, not only our own happiness, but that of the world at large.” – Mahatma Ghandi

“The basic principle of altruism is that man has no right to exist for his own sake, that service to others is the only justification of his existence, and that self-sacrifice is his highest moral duty, virtue and value. Do not confuse altruism with kindness, good will or respect for the rights of others. These are not primaries, but consequences, which, in fact, altruism makes impossible. The irreducible primary of altruism, the basic absolute, is self-sacrifice – which means: self-immolation, self-abnegation, self-denial, self-destruction – which means: the self as a standard of evil, the selfless as a standard of the good.” - Ayn Rand

They go we go, I want you to know, what I did I did.

•November 21, 2009 • 1 Comment

I used to always think about waltzing to that part.

(I wish we lived in a world where everyone knew how to waltz.)

Line up, adventure…single file, now.

•November 21, 2009 • 2 Comments

Today is actually Teacher’s Day in Vietnam.  Man, that was a weird day. Last night, I was trying to remember some of those memories, had some difficulty, and then realized, Oh wait!  I wrote a blog recording my every thought last year.  So, I did a skip, hop and a jump over to the old blog and spent an hour or so familiarizing myself with old memories.  I laughed and laughed and laughed.  Why does it feel so good to laugh alone, sometimes?

I couldn’t fathom how fascinating & strange it felt to be able to read my thoughts exactly a year ago.  This got me thinking about this: I feel like I’m always subconsciously doing things in patterns all my life, mostly because of the realization that I can.  I’m not obsessive-compulsive about time or living by a schedule by any means, but sometimes I think I want to pretend, as if I were an understudy for an OCD person.  I just think it’s interesting & funny to put structure to my thoughts sometimes.

I guess I’m just infatuated with the human ability/potential to be aware.  Of course, it’s terribly difficult to always be aware, but at any given time, my brain can naturally go into association-making overdrive, and I’ll realize synchronicities/patterns that can only be realized with effort.  I guess that’s called… thinking? haha.  I think a lot of my friends are that way too.  That’s probably why we’re always making such good puns. Whut whut.

Well, here are those memories from around this time, one year ago, if you’re interested in reading back: http://huynhwinsituation.wordpress.com/2008/11/23/insert-deep-and-concise-doogie-howser-journal-entry-about-remembering-your-youth/

I just Fed-Ex’d my JET program application today, after a slightly-nervous deadline scare this past week (it has to be received in Washington by Tuesday, so I had to over-night it.)  Also, it’s funny to me that we humans love the idea of over-night services.  It feels kinda bratty and Veruca Salt-ish to me, like “I want it now! Instantly! Don’t go to sleep and drive it to me over night, before I even get out of bed!  If I put on ONE sock before you get here…”

So, yeah. Sorry Fed-ex workers.

I’m well into some other applications that could potentially get me to other far regions of the world, but those deadlines aren’t until February.  So, real responsibilities… check.

The real theme of this post though, is adventure damnit. Yeah, not complete without both words.

Of course, every year is an adventure, but this year seems to fit the very definition of it.  For the first time in my life, my mind/body isn’t majorly consumed by school or work, and those old hobbies & side interests of mine have wholly converted into full-time experiences (of course, I keep adding more and more projects in my brain, but one day, maybe 1/16th of them will be finished?)

I’m very grateful for the position that I’m in right now, this actual present moment in my life. For one thing, it was great to come back to the U.S. when the stigma of unemployment had considerably lessened, since well, now unemployment is so common.  I think the economic downturn was really elusive and difficult to comprehend for people living overseas, and it wasn’t until I got home that I heard everyone’s six degrees of Kevin Bacon unemployed friend-style stories.

It was a big surprise to be surrounded by so many sympathizers and all of this this lax, “Man, I can relate.” attitude. Everyone is overly understanding of my “unfortunate position,” like they can relate to my “stress” of being unemployed.  It’s especially funny when I run into other Asian adults, and my parents never forget to mention in a much generalized, short explanation: “Last year, our son lived in Vietnam.  He was helping the poor.”  Once they hear that, they all go, “Ahhh!!!! You such a good boy!”, pinch my cheeks or pat my back until it bruises and say, “You deserve a break! You really do hun-ee.”, or “You parents raise you very good!  I know you will be very successful one day hun-ee!”

There’s no point in speaking up during these all too common bragging-about-your-kids/face-point battle-interactions since they’re so brief… so, I’ve learned to just respond with the smile/nod combo.  In some ways, it’s great because I don’t even have to use any persuasion energy to defend my choice of being unemployed right now.  At times, it’s just appropriate to accept the fact that people may never see you eye-to-eye… and really, there’s no need for frustration or anger to arise from that.

The second reason for why I’m happy with my current place: I don’t actually need to find a job right now- a situation that probably won’t come by too often.  I have enough money saved up to survive this year, unless I go crazy and buy a million ferrets. (uhh… sorry, that was the first thing I came up with.)  I don’t expect to find a job that I would enjoy anytime soon, and also- I’m just better at spending my money these days.  Louis Vuitton fakes are better lookin’ anyway.

With that preface, I am absolutely thrilled with the amount of potential adventure ahead of me. oh.my.gah.  Life is exciting.

1. My first family Thanksgiving celebration in two years!  My family is always making up new, silly traditions, so I don’t see how this year will be any different.  I’m always feeling in the most tip-top creative shape when I’m around my cousins.  (Yeah, I don’t think that expression worked really well either… it was kind of awkward.)

2. I’m going back to Boston with Huy after Thanksgiving.  I’m kinda into visiting people when they have to work.  It gives me the opportunity to walk around, explore, and make up lots of stories in my head, and then it makes that little time you have with your host that much more meaningful.

3. I’m headin’ up to Burlington, VT for the first time to see Dave’s old stomping grounds.  I really, really love (almost to an obsessive level) seeing a friend’s childhood home and watching the family dynamics/interactions… it can really open up to completely new depths of understanding & friendship.

4. If there’s time, I’d like to go to NYC (via Chinatown express.), mostly because I want to see Tim Burton’s new MOMA exhibit, but also because I like to romanticize NYC in the winter via Home Alone associations.

I’ll hopefully get home just in time for Christmas.  There’s plans for the Maryland side of our family to come up too (and Tam might come down from Canada), so it’s going to be a rat-packed house for sure.

(Since I’m already in the groove of list-making, I might as well add a couple more random adventures that I have in mind.)

5. I’ve decided to run a marathon this spring!  I have to choose which one I’m gonna do pretty soon, so it’s been quite the spontaneous whirl-wind of a decision.  I’m excited, because it’s a completely new way for me to explore my use of energy, in my first, really physically enduring challenge.  I figured I should experience it now while it’s easier for me (as opposed to future Hy)- while I’m young, in good health, and not fully converted to the Kingdom of Lazy.  26.2 miles… here I come.

6. Keeping in mind that I can’t stray too far away from home during these winter month program interviews & discernment weekends, I’m going to look into volunteering / living with some local farms, kind of like a WWOOFing set up (only, somewhere close enough for my parents to pick me up if there were any emergency.)  I’ve found some local farms in NY that take volunteers all year round, so I’m really looking forward to just live in the woods and become Hermit the frog.

7. Adventure of the… tastebuds? Yes.  I’ve been working with my mom to make a cookbook collection of all her favorite meals… so far I’ve gotten one dish done (lay off, the food photography requires a lot of takes…) And with all my food expenses paid at home, I get fresh vegetables every week and experiment like a mad scientist.

These are my latest creations:

Chicken spiedie omelette wheat wrap with scallions, squash, white asparagus, spinach, and feta goat cheese.

Oyster sauce steak wheat wrap with red/yellow peppers, portobello mushrooms, white asparagus, and sharp cheddar cheese.

Soon, I’ll have another opportunity to create.  The cousins are planning a very first “cultural tapas dinner” for the parents, full of new ethnic dishes from around the world that may either be received very well, or received… well, with a big bowl of filler, white rice.  It may be challenging since it has to be “diabetic-friendly,” and well, the parents seem to be pretty Vietnamese food-ethnocentric too.  But, we’re gonna win them over with our snazzy penguin suits, possibly live music & entertainment, and serve them food on some stylin’ china until they yell at us for using too many plates.  Maybe, we’ll give them a little Trinh Cong Son dinner music to trigger their old stories… and then…BAM! We’ll SNATCH those stories right out of their vocal cords and record them on our blogs!

Yep.

And the sun hasn’t filled your eyes yet?

•November 18, 2009 • Leave a Comment

It’s culturally encouraged to take photos at a Vietnamese funeral, especially upon request of the family (my aunt really wanted photos.)

Still, I was a little uncomfortable with the idea, so I let other family members (mostly the older Vietnamese men) do most of the photography.

This is one I did want to share though.

11/14/09

Crystal Sun / “Nắng thuỷ tinh” by: Trịnh Công Sơn

(WordPress won’t let me upload an mp3, so here’s the song on youtube.)

Color of the sun or color of your eyes
Autunm rain feels soft on your hands
Sunset slants the shadows gliding by the veranda
And clouds drift away

Diurnal melancholy melts in your hair
Languid arms embrace nostalgia
Why didn’t fall leaves turn yellow then
And the sun hasn’t filled your eyes yet?

You traverse the park in solitary footsteps
Afar, the wind chases out the clouds
Swiftly, foliage sparkles with bright sunshine
You pass by, eyes wide and pure
Like crystal sun, golden and quivering
But hush, sorrow is rising, immense

Twilight has suffused the garden of your eyes
Autumn so many times has gone by
Thousand trees, lines of lit candles
Have let the sun enter your eyes
(Color of the sun now rests in your eyes)

“For the time being, I’m happy.”

•November 18, 2009 • Leave a Comment


This past weekend I was down in Maryland for my uncle’s funeral.  Despite the circumstances, I think everyone in my family was more than happy to just be near each other again.  There were three generations in that house (tons of babies), and not a single person was missing- probably the first time since the beach vacation three years ago.  Our celebration of Bac Hung’s life secured and strengthened our central Vietnamese value of family even more (I didn’t know that was even possible.)

It blows my mind how our family is always able to grow closer; there isn’t a point where it just reaches a max.   Now that most of the younger cousins are older and done with/or in college, it seems like the playing field has leveled out for some of us, and we can connect with our older cousins in the most meaningful ways.  We’re no longer separated by the “big kids” and “little kids” table… well, mostly because a new generation of kids stole the tiny, red, plastic stools right under our legs.

The whole weekend, I couldn’t help but be reminded of this one scene in “Vertical Ray of the Sun” by Tran Anh Hung.  The family in the movie is also celebrating a death anniversary, and of course, it’s not a Vietnamese celebration without food, laughter, and music.  One of the daughters takes out her guitar and plays a song called “Cuối cùng cho một tình yêu”, which is translated “The End of a Romance.”  Everyone in the room, siblings, in-laws, kids, and friends, all join in singing too.

Skip to 2:59 for the actual song. 

Trịnh Công Sơn is the artist.  If you ask any elder Vietnamese person you see if they’ve ever heard of him, they’ll undoubtedly spill out a memory or some connection that they have with one of his songs.  Almost every coffee shop in Vietnam will play at least one of his songs during your sitting (except for the cafe’s that obviously adore MTV-Asia techno.)  I started listening to him last year in Vietnam, not realizing that I somehow knew some of the songs already.  After asking my parents about him, they told me that they used to play his music all the time, but of course I didn’t really appreciate or care for it.  The second they told me that, my brain went through a childhood regression vortex, and I remembered: I remember the scratchy, almost ball-room like cassette tape recordings of his music every weekend morning playing in the bedroom hallway outside of my room.  I would wake up all sleepy-eyed, open my bedroom door, and mindlessly walk past Trịnh Công Sơn to our living room only to nestle again in a big heap of blankets- this time in the presence of my mom’s morning cooking.  To childhood Hy, his music was just sleepy background noise for my delicious smelling, snooze sleep.

Trịnh Công Sơn was named the “Bob Dylan of Vietnam,” because of his moving anti-war songs in the 60’s and 70’s.  He was always under pressure from the government, because they didn’t approve of his pacifist lyrics and at one point, his songs were banned.  After the war, he was sentenced by the government to go into a “retraining camp,” but almost immediately after he was sentenced, he was oddly honored by the government. It was clear that the government was worried about what to do with Trịnh Công Sơn and his antiwar songs, and they showed that they were aware of the role performing artists could play in shaping the public’s response to their policies.

“It is Sơn’s antiwar songs, however, works in which he opposed hatred and killing irrespective of what side the haters and killers were on, no matter how rightous they thought their cause—it is these songs that earned him the reputation of a singer who served general humanist goals not narrow political ones.”

Trịnh Công Sơn was born near Hue actually, and grew up on a street in Hue that I know really well.

Trịnh Công Sơn on the balcony of his home on Nguyễn Trường Tộ Street in Huế, 1969.

I can’t quite articulate why I feel such a strong connection with him. Sometimes I think it’s as shallow as pride of our common heritage, and other times I think there’s significance in the synchronicities and general commonalities that I have with him.  It’s the same way with Thich Nhat Hanh.  When I was introduced to both of these guys, I knew right away that they would become important figures in my life.  I didn’t even know they were from Hue until I lived there all last year.

I think these excerpts from an essay called “The  Trịnh Công Sơn Phenomenon” will really shed light on why so many Vietnamese people and I love him so much.

“What did Sơn do to make his songs appear fresh and new? Văn Ngọc stresses Sơn’s new approach to lyrics, which, he says, weren’t restricted to the function of telling a story with a beginning and an end. “They had a life completely independent, free. They could evoke beautiful images, impressions, and brief thoughts that sometimes reached the level of surrealism; and between them sometimes there was no logical relationship at all” (2001, 27). Sơn designed his songs to make an end run around the conscious intellect to reach the heart directly. To achieve this effect he used the same techniques used by many modern poets, which is why he is so frequently called a poet, not a mere songwriter.  These techniques include purposeful incoherence (at least at the level of logic); unusual grammar that pushes at the limits of what is acceptable; fresh diction, images and metaphors; startling word collocations; and rhyme–both true and off rhyme.”  —at the time, this style of lyricism in Vietnam was completely new.

“Another member of Sơn’s circle of friends, Thái Kim Lan, who in the early 60s was studying philosophy at the University of Huế, emphasizes the impact of Western philosophy, particularly existentialism, on the youth of Huế at this time. Concepts such as “existential angst,” “being and nothingness,” “the meaningless of life,” and the myth of Sisyphus were, she says, hotly debated (2001, 84). Though Sơn had studied philosophy at a French lycée, according to Thái Kim Lan, he would usually sit back and listen during these discussions, but then later, to the surprise of his friends, he would compose a song and “sing philosophy.” His songs, Thái Kim Lan argues, were simpler versions of the ideas they were discussing, and they helped those in her circle cut through the intellectual knots they had tied for themselves.”

“The mood of Sơn’s music remained traditional–sad, dreamy, and romantic–and thus his songs were nicely attuned to Vietnamese expectations shaped by similarly sad lullabies and prewar songs (Văn Ngọc 2001, 27). This sad mood and the messages of many of Sơn’s songs probably reflect the influence of his Buddhist background. Sơn admits to the influence of his faith and of his hometown of Huế, a very Buddhist city ringed by dozens of pagodas: “Huế and Buddhism,” he writes, “deeply influenced my youthful emotions.”20 Though his friend Thái Kim Lan says Sơn was dealing with Western metaphysical problems in his songs, his philosophy, as she herself ends up admitting, could probably also be considered Buddhist. “Now as I reflect I realize that . . . those new ideas were not new but were found in Buddhism” (84).21 When an interviewer suggested there was a “strong current of existentialism” in his songs, Sơn replied: “The supreme master of existentialism was the Buddha because he taught us that we must be mindful of each moment of our lives” (2001/1998, 211). Sơn clearly drew on both Western philosophy and Buddhist thinking. As he has said, he aimed for a simple philosophy, not a “systematized” one (2001/1997a, 202).”

“Impermanence is a theme of many songs: In the world of Trịnh Công Sơn nothing is forever–not youth, not a love relationship, not life.  There is sadness in impermanence, of course, but also peace of mind if one realizes that the end of a loving relationship and of life itself is also a beginning; a departure is also always an arrival. In Sơn’s songs going leads to coming and vice versa and images of a circle appear often.”

“Some Vietnamese, and some Westerners who listen to his songs and read translations of his lyrics, find Sơn’s songs to be “weepy,” even morbid. It is an understandable reaction: most of his songs are sad; many contain references to death. Sơn has admitted being obsessed with death since an early age, perhaps because of the early death of his father (2001/1998, 207).23 Certainly, too, the war heightened every Vietnamese’s consciousness of death.  In Sơn’s songs death and life interpenetrate each other, each giving meaning to the other. The lyrics to many of his songs suggest that he lived his life with death in mind.  ”

“In experiencing death as “an anticipatory conception” that affects one’s earthly existence (Kierkegaard 1944, 150) Sơn was following the recommendations of some existentialists. In the late ’50s and early ’60s young intellectuals in Southern cities were fascinated by European existentialism and Sơn’s close friends emphasize his intense interest in it.24 It is therefore probably not a coincidence that death appears to have been for Sơn what it was for Heidegger and Jaspers—a “boundary situation” that gives meaning to life. “I love life with the heart of someone who despairs,” Sơn wrote in the introduction to a song collection (1972, 6). This despair or sense of desolation (tuyệt vọng) which permeates many of Sơn’s songs should be seen, I believe, as similar to existential “dread”—an anxiety in the face of non-being or nothingness.”

I’ve taken up a new hobby of trying to translate his songs now.  I’ve been trying to do the translations myself first, then compare with a professional translation of the song, and then seeing the difference of interpretations.  It’s a fun little exercise; feels like I’m taking a class on him.

The song that you heard from that clip up there, is also available here, along with the sheet music:

http://www.trinh-cong-son.com/cuoicung.html

The top play button is for the old, scratchy, ball-room version, sung by Khánh Ly.  Trịnh Công Sơn had a good voice and at concerts would sing half of the songs by himself as well as sing several duets with Khánh Ly, but then she would sing the rest.  Eventually, Khánh Ly became linked with Trịnh Công Sơn’s music.

Văn Ngọc describes Khánh Ly’s voice when she was a young singer just beginning to sing Sơn’s songs:

“It could drop very low, very deep, but also could rise very high, a strong voice, strong-winded, rich in musical quality. Khánh Ly always sang with the correct tone, rhythm, and modulation of the voice… It was a voice that still had the freshness and spontaneity of a twenty-year old, but also seemed to convey sadness as well. A voice that could be flirtatious in a lovable way in romantic songs but also become angry and sad in the antiwar songs.”

She was really beautiful too.

Khánh Ly

Here’s the song, Cuối cùng cho một tình yêu, translated into English:

The End of a Romance.

Yes, go ahead and go home,
The afternoon rainstorm is approaching
For the time being, I’m happy,
Two hungry hands
For the time being, I’m happy
Two tired feet

The time is here
For the time being, I’m happy,
A sad soul
Love in this world

One chance of loving,
One stormy life
Goodbye, goodbye,
The afternoon rainstorm is approaching
My love, my love

I’m filled with sorrow,
How can you remember?
The rain outside’s still flying,
I sing softly
My emotions stir my heart

I’m filled with sorrow
I’m filled with sorrow.


From California to the New York Island, from the Redwood Forest to the Gulf Stream waters.

•November 16, 2009 • Leave a Comment

A collection of unique environments in a month’s time. (There are rollovers.)

New York City.Chicago. (Museum of Surgical Sciences.)Avenue of the Giants, CA.Death Valley National Park.Saguaro National Park, Tucson, AZ.Tombstone, AZ.Arizona.White Sands National Monument, NM.San Antonio, TX.New Orleans, LA.Huey P. Long Bridge over the Mississippi River.Graceland Too, Mississippi.Tennessee Tunnel.Black Mountain, NC.Black Mountain, NC.

Tracing the map.

•November 5, 2009 • Leave a Comment

I made several C.ompact D.iscs for the trip- kind of just randomly chose them last-minute.

Rather than just list off the states we went through on our cross-country trip, I thought I’d do this instead.

These are the albums that we listened to, categorized by state.  (Mary also had her ipod too.)

Oregon
High Llamas – Can Cladders
Joanna Newsom – The Milk-Eyed Mender
Junior Boys – Begone Dull Care

California
Johnny Mercer – Miscellaneous Songs
Akron/Family – Akron/Family
America – The Complete Greatest Hits
Jens Lekman – Oh You’re So Silent Jens
Grizzly Bear – Veckatimest

Nevada
Michael Jackson – Miscellaneous Tracks
Shugo Tokumaru – Exit
Modeselektor – Happy Birthday
Justice – Cross

Arizona
Caribou – Andorra
Crystal Castles – Crystal Castles
Various Artists – Dark Was The Night
Dolly Parton Jolene/My Tennessee Mountain Home

New Mexico
Sufjan Stevens – Illinois
Radiohead – In Rainbows
Clark – Totems Flare

Texas
Thom Yorke – The Eraser
Beth Gibbons & Rustin’ Man – Out of Season
Bon Iver – For Emma, Forever Ago
Clientele – Suburban Light

Louisiana
Jay-Z – The Blueprint 3
Phoenix – Alphabetical
Yelle – Pop-Up

Mississippi
Rilo Kiley – More Adventurous
The Very Best – The Very Best
Talking Heads – The Best Of The Talking Heads

Tennessee
Elvis Presley – Miscellaneous Songs
Sinn Sisamouth – Untitled

North Carolina
Fleet Foxes – Fleet Foxes
Destroyer – Your Blues

Virginia
Deertick – War Elephant
Fleetwood Mac – Rumours

Maryland
Bonde DeRole – With Lazers

Delaware
Animal Collective – Merriweather Post Pavillion

New Jersey
Portishead – Third

Pennsylvania
Joni Mitchell – Blue

New York
Jess’s iPod.